The latest album from the Black Art Jazz Collective, “Truth to Power,” released by the esteemed label HighNote, showcases the enduring vitality and relevance of contemporary Jazz. Celebrating their 10th anniversary, this powerhouse ensemble delivers an electrifying compilation that pays homage to the rich tradition of black Jazz while also boldly confronting the complexities of our modern era.
Featuring an all-star line-up, the Black Art Jazz Collective boasts founding members Wayne Escoffery, Jeremy Pelt, James Burton III, Xavier Davis, and Johnathan Blake, who are joined by current members Victor Gould, Rashaan Carter, and Mark Whitfield Jr. Together, they form a formidable ensemble whose cohesion and virtuosity are immediately apparent, weaving together a tapestry of sound that is both captivating and thought-provoking.
From the opening track, “Black Heart,” to the closing notes of “Blues on Stratford Road,” the album covers a diverse range of musical styles and emotions. Some tracks are hard-charging and assertive, such as “Truth to Power” and “Code Switching,” while others are soulfully introspective, like “Soliloquy” (for Sidney Poitier). Each composition conveys a profound sense of purpose and authenticity.
Drawing inspiration from the jazz giants of the 1960s and '70s, the Black Art Jazz Collective incorporates a spirit of social consciousness and cultural pride into their music. Escoffery's vision for the collective, rooted in a celebration of Black culture and heritage, shines through in every note. As he aptly expresses, Black Art Jazz Collective was formed as an ensemble of African American musicians, celebrating Black culture and the origins of the music with unapologetic pride. Indeed, “Truth to Power” is a testament to this mission, offering a poignant reminder of the enduring power of Jazz as a vehicle for expression and social commentary.
In conclusion, “Truth to Power” is a manifesto - a bold declaration of artistic freedom and cultural identity. With its compelling blend of tradition and innovation, this record cements the Black Art Jazz Collective's status as one of the most vital voices in contemporary Jazz.
“Just because I’m playing Jazz I don’t forget about me. I play or write me the way I feel through Jazz, or whatever. Music is, or was, a language of the emotions.”
— Charles Mingus
Thank you for this note. The Black Art Jazz Collective knocks me out.