Songs of the Fathers: A Celebration of the Music of Abdullah Ibrahim
Satya (Resonant Artists)
Songs of the Fathers: A Celebration of the Music of Abdullah Ibrahim
by Satya
Label: Resonant Artists
Recorded at Clubhouse Recording in Rhinebeck, NY on April 7, 2023
Released: March 22, 2024
Songs of the Fathers, the latest release from Satya on Resonant Artists, is more than an homage to Abdullah Ibrahim—it’s a sonic journey through the life and spirit of one of Jazz’s most revered figures. Led by drummer Phil Raskin and saxophonist Frank Doblekar, with Neil Alexander on piano and synthesizers, the trio captures the essence of Ibrahim’s music while weaving their own distinct interpretations into the fabric of this tribute.
The album opens with Mannenberg, one of Ibrahim’s most iconic pieces, originally composed as an anti-apartheid anthem. Satya’s rendition is vibrant and layered, conjuring the sounds and energy of Cape Town’s streets. Raskin’s drumming establishes a pulsating groove, reflecting the resilience and spirit of the community. Doblekar’s saxophone lines glide over the rhythm, creating a dialogue that is both playful and profound. Alexander’s use of synthesizers enriches the texture, adding an orchestral depth that feels immersive and alive.
Song for Sathima, a dedication to Ibrahim’s wife, is tender yet powerful. The arrangement evokes the lyrical elegance of Johnny Hodges, as Doblekar’s saxophone delivers the melody with grace and emotional weight. The interplay between the saxophone and Alexander’s piano is particularly striking, giving the track a contemplative, almost meditative quality.
The Wild Rose stands out as a canvas for improvisation. Raskin incorporates an African djembe into his drum set, adding an earthy, organic element to the piece. Alexander’s mastery of analog synthesizers creates a sweeping, cinematic atmosphere, while Doblekar’s saxophone ventures into adventurous, microtonal territory. The result is a track that feels both grounded and ethereal, a testament to the ensemble’s improvisational prowess.
With Hamba Khale—Zulu for "go well"—the band delivers a poignant meditation on peace and farewell. The intricate rhythms and shifting patterns of the percussion create a sense of movement and transition, while the melody, carried by Doblekar’s saxophone, evokes a sense of longing and hope. Originally titled Salam Peace, the track embodies a universal message of reconciliation and unity.
The only non-Ibrahim composition on the album, Tone Poem 2 by Doblekar, pays homage to the master’s style. The piece features a cyclical melody that floats over a steady harmonic foundation, reflecting Ibrahim’s signature approach to composition. It’s a fitting inclusion, seamlessly blending with the other tracks while showcasing Doblekar’s compositional voice.
The album concludes with Blue Bolero, a ballad that leaves a lasting impression. Satya’s interpretation is delicate and introspective, with Alexander’s piano providing a lush, supportive backdrop for Doblekar’s emotive saxophone lines. It’s a serene and fitting end to a journey that has explored the depths of Ibrahim’s musical legacy.
What sets Songs of the Fathers apart is its spontaneity. Each track, apart from one, was recorded in a single take at Clubhouse Recording in Rhinebeck, New York. This approach captures the raw energy and immediacy of the performances, giving the album a sense of authenticity and presence. The production, guided by Raskin and engineer Paul Antonell, ensures that the nuances of each performance are beautifully preserved.
Raskin’s deep respect for Ibrahim is evident throughout the album. His extensive travels to Africa and his personal connection to the music inform every beat and phrase. The project also benefits from Neil Alexander’s expertise in orchestral synthesis, adding layers of complexity and richness to the arrangements.
In Songs of the Fathers, Satya achieves the delicate balance of honoring Ibrahim’s legacy while infusing the music with their own voices. The result is a tribute that feels both reverent and innovative. As Raskin reflects, the album aims to bring listeners closer to Ibrahim’s music, inviting them to share in its joy and meaning.
This is more than a collection of covers—it’s a celebration of a master’s enduring influence and a reminder of music’s power to connect, heal, and inspire. For those familiar with Abdullah Ibrahim’s work, this album is a reaffirmation of his genius. For newcomers, it’s an invitation to discover the beauty of his music and the legacy he leaves behind.
Personnel
Neil Alexander • Piano, Synthesizers
Frank Doblekar • Tenor and Soprano Saxophone
Phil Raskin • Drums, Cymbals, Gongs, Djembe, Misc. Percussion
Tracklist:
1. Mannenberg
2. Song for Sathima
3. The Wild Rose
4. Hamba Khale
5. Tone Poem
6. Blue Bolero