Today, we embark on a journey into the depths of Jazz as we unravel the enchanting layers of John Abercrombie's “Cat'n'Mouse,” a timeless gem nestled within the ECM catalog since 2002. This album feels like stepping into a dimly lit Jazz joint smack dab in the heart of New York City; it's got that captivating vibe that hooks you from the get-go.
First and foremost, the album is a harmonious collaboration of equals. Each member of the quartet is a powerhouse in their own right, coming together to forge a cohesive and potent sound. The opening track, “A Nice Idea,” is steered by Abercrombie's guitar, weaving an extended lyrical melody that's just dripping with melancholy, painting a vivid picture of longing and introspection. Providing the backbone are Joey Baron on drums and Marc Johnson on bass, laying down a foundation so solid, it could support a skyscraper, offering this subtle backing that allows Abercrombie to truly sparkle.
But hold on tight, 'cause up next is Mark Feldman on the violin, adding an emotional crescendo to the piece that's nothing short of mind-blowing. He takes Abercrombie's melodies and catapults them into the stratosphere, and then, as smoothly as that, he gently lands you back down for more lyrical introspection. This rollercoaster of emotional peaks and valleys is a recurring theme throughout the album, weaving a tapestry of feelings that will keep you riveted from start to finish.
The album features a blend of Abercrombie’s compositions and collective improvisations that showcase the quartet’s fluid and dense interplay. One of the standout tracks is “On the Loose,” which breaks away from the melancholic spell and infuses a burst of funky vitality into the mix. Joey Baron’s drumming truly shines here, providing the perfect measure of energy to render the emotional transitions and surprises dramatic.
Now, alright, it ain't always a smooth ride. There are times when the band does not quite sync up, like they're all marching to the beat of their own drums, and it feels like four heavy hitters just doing their own thing. But hey, those moments are rare, and that's Jazz for ya, isn't it? All about taking a leap of faith and pushing the envelope. Overall, this record is a hit. It is a shining example of the magic that can happen when four strong-willed musicians step out of their comfort zones and jam together in a fresh, intimate setting.
Bottom line, “Cat'n'Mouse” is a must-spin for any Jazz cat worth their salt. It's Abercrombie laying it down, a real showcase of his fresh and happening work, pushing the limits and redefining what it means to make music that really talks to the soul. So, if you're on the hunt for some new Jazz grooves to lose yourself in, do your ears a solid and let “Cat'n'Mouse” take you for a ride. You won't be bummed and your ears will be singing your praises.
“You're just sort of searching for this “thing” and sometimes you get it and sometimes you don't. All music is imperfect, but in Jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.”
— John Abercrombie