Abdullah Ibrahim's latest album, “3,” released by Gearbox Records, showcases the enduring brilliance of the South African pianist and composer. With a career spanning over six decades, Ibrahim has had a profound influence on the international Jazz scene. Born in Cape Town in 1934, Ibrahim started his journey under the moniker Dollar Brand before catching the attention of none other than Duke Ellington, who recorded him in 1963. Now, at the ripe age of 89, Ibrahim still captivates audiences with his masterful piano playing and innovative compositions.
Recorded on July 15, 2023, at London's Barbican Hall, “3” features Ibrahim with his Ekaya trio: Cleave Guyton Jr. on flute and piccolo, and Noah Jackson on bass and cello. The album is divided into two volumes and offers a rich tapestry of original compositions, solo improvisations, and inspired covers, showcasing Ibrahim's boundless creativity and unwavering dedication to his craft.
The first volume opens with a haunting rendition of “Barakat,” setting the tone for an intimate and introspective journey. As Ibrahim's fingers caress the keys, Guyton's flute dances delicately around the melody, while Jackson's bass provides a steady, grounding presence. Tracks like “Tsakwe” and “Krotoa” display Ibrahim's versatility, effortlessly blending elements of hard bop, gospel, and traditional African music into a seamless tapestry of sound.
Volume two sees Ibrahim and his trio embracing the energy of a live audience, delivering soul-stirring renditions of Jazz standards and Ibrahim's own classics. Ellington's “In a Sentimental Mood” receives a breathtaking interpretation, with Ibrahim's piano setting the stage for Guyton's expressive flute and Jackson's dynamic bass. Coltrane's “Giant Steps” is given new life as Jackson takes center stage, weaving intricate melodies with virtuosic flair.
Throughout the album, Ibrahim's virtuosic pianism and iconic harmonic language are on full display, showcasing his ability to communicate with Ekaya on a deeply intuitive level. Tracks like “Water from an Ancient Well” and “Dreamtime” offer glimpses into Ibrahim's profound musical vision, blending impressionist classical music with the bluesy swing of Ellington.
As the concert draws to a close, Ibrahim offers a poignant solo vocal performance on “Trance-mission,” serving as a fitting conclusion to an unforgettable evening of music. Pristinely recorded and warmly rendered, “3” stands as a demonstration to Ibrahim's enduring legacy and his unwavering commitment to the art of Jazz.
In conclusion, “3” by Abdullah Ibrahim is a magnificent showcase of the pianist's unparalleled talent and visionary approach to music-making. With its diverse repertoire, impeccable performances, and heartfelt sincerity, this album is sure to captivate listeners for years to come.
“I don't think of myself as a Jazz musician but a medicine man.”
— Abdullah Ibrahim